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Dog Soldiers - No Guts, No Glory

Dog Soldiers - No Guts, No Glory

  • Officially Licensed Dog Soldiers T- Shirt
  • Artwork by Kyle Crawford
  • Printed on our super soft 4.5oz 100% pre-shrunk ringspun cotton shirts
  • Custom Printed on Demand
  • Due to the custom nature of this item, we only accept exchanges on defective garments. 

About Dog Soldiers (2002)

Neil Marshall's Dog Soldiers (2002) reinvigorated the werewolf genre by pitting a squad of British soldiers on a training exercise against a pack of savage lycanthropes in the Scottish Highlands. The film plays like a horror version of Zulu, with the soldiers barricading themselves in a farmhouse while the werewolves—portrayed by performers in impressive practical suits rather than CGI—lay siege throughout the night. Sean Pertwee and Kevin McKidd lead a ensemble cast whose camaraderie and dark humor make them genuinely worth rooting for. Made for just $2.3 million, Dog Soldiers launched Marshall's career (he later directed The Descent) and proved British horror could compete with Hollywood.

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From $10.80

Original: $36.00

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Dog Soldiers - No Guts, No Glory—

$36.00

$10.80
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Description

  • Officially Licensed Dog Soldiers T- Shirt
  • Artwork by Kyle Crawford
  • Printed on our super soft 4.5oz 100% pre-shrunk ringspun cotton shirts
  • Custom Printed on Demand
  • Due to the custom nature of this item, we only accept exchanges on defective garments. 

About Dog Soldiers (2002)

Neil Marshall's Dog Soldiers (2002) reinvigorated the werewolf genre by pitting a squad of British soldiers on a training exercise against a pack of savage lycanthropes in the Scottish Highlands. The film plays like a horror version of Zulu, with the soldiers barricading themselves in a farmhouse while the werewolves—portrayed by performers in impressive practical suits rather than CGI—lay siege throughout the night. Sean Pertwee and Kevin McKidd lead a ensemble cast whose camaraderie and dark humor make them genuinely worth rooting for. Made for just $2.3 million, Dog Soldiers launched Marshall's career (he later directed The Descent) and proved British horror could compete with Hollywood.